Silly me for thinking that the experience of having his home ripped apart by his own selfish actions, and his entire life smattered across tabloid covers would elicit at least a slight recalibration of priorities for Jason Aldean, or for goodness sakes, at least stimulate a few moments of introspection or something close to the semblance of a deep thought. But I’m sorry, I think his latest release Old Boots, New Dirt is the best damn R&B/sexytime album I’ve heard all year. It’s a modern-day translation, but the song has that same lonesome feel.Yeah I know I’ve been rough on ol’ Jason Aldean over the years. “Two Night Town”– The set closes with the most “country” song on the album - which finds Aldean in very much a Merle Haggard-esque mood with his frustration showing. Jason Aldean & Sam Hunt Chart New Path With R&B-Influenced Country “Gonna Know We Were Here” – A song about leaving your mark, it mirrors some of his past material - but not in a way that is a complete copy.
But, all it takes is one memory to bring back another…and another…as this song vividly illustrates. “Miss That Girl” – Maybe one can move on and put a broken heart behind them. Who Will Dominate Country Music’s Packed Year-End?
“Don’t Change Gone” – One of the strongest lyrics on the album, the singer waxes a melancholy note about how changing your surroundings and your life doesn’t mean the pain over a broken relationship also vanishes. “I Took It With Me” – One can never outrun their past, and once again, Aldean mines the nostalgic lyric - balanced by the rocking arrangement about being proud of your origins. True to life? It’s all up to the listener. “Old Boots, New Dirt” – Looking for a new start? In this song, Aldean sings about making a new beginning in one’s story. Jason Aldean Looks Back on a ‘Great Decade’ Before the Release of ‘Old Boots, New Dirt’ Stylistically, there are differences, but the memories some of his songs evoke are certainly a little bit similar. With songs like “Tattoos On This Town” and this single, there are few singers that feature a nostalgic lean in their music any more than Aldean - just like the Statlers did in the 1970s and 1980s. “If My Truck Could Talk” – In a sense, Jason Aldean is somewhat of a modern-day version of The Statler Brothers. He has truly mastered the art of the power ballad, as he does on this track. “Too Fast” – For all of Aldean’s success with tempo and influences from other formats, Old Boots, New Dirt shows just how far he has come as a vocalist. The only thing that could keep this from being a radio hit is if Broken Bow decides not to release it. “Tonight Looks Good On You” – One of the more restrained productions on the record, the song is sensual yet also dramatic, as the singer admits to knowing exactly where the night is going. “Laid Back” – The cut is kicked off with some ultra-cool guitar riffs all throughout the album, which allows the singer a chance to get his groove on. “Sweet Little Somethin'” – No major musical ground plowed on this uptempo cut, but it should be a crowd favorite. It’s quite possibly his best vocal performance to date. “Tryin’ To Love Me” – After the unbridled heat and passion of the first three tracks, Aldean goes a more emotional route on this very melodious track, where he expresses remorse and regret for not allowing someone in. 12 on the Hot 100 and quickly became a favorite of his female fan following. “Burnin’ It Down” – The most musically adventurous track that Aldean has ever recorded, this song peaked at No. It’s got a catchy melody, and a sing-along chorus that might very well be one of his biggest.
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“Show You Off” – Again, the romantic side of Aldean comes into full view on this song. It should kick off his 2015 concert dates with an exclamation point, and it’s quite the sensual track - one of many that explore that realm on the album. “Just Gettin’ Started” – Aldean gets the album started on a song that serves two purposes.